Using what can be called resonant spaces (particularly in fifths) and dissonant places that reveal slight beats if you listen carefully, the piece has fun alternating the temperament and frictions linked to quarter tones. The multiple guitar inspirations intertwine microtonal, minimalist or even "pop" sensations.
While the "impacts" that punctuate the ascending and descending phrases throughout the piece could suggest lines thrown by subtle invisibles, "imaginary cupids".
