Vol. 1, The Halle Sonatas
The Sonatas HWV 374, HWV 375 and HWV 376 are actually known as the Halle Sonatas because they were supposed to be composed among the first works written by Händel, probably in Halle (composer’s hometown in Germany). Unfortunately the exact period of composition is unknown but for sure were first published in 1730 by Walsh.
The authenticity of the A minor sonata HWV 374 is uncertain but the work leads back to Händel’s way of composing. In fact, the publisher Chrysander also included it in his edition of Sonatas for solo instruments as Sonata XVI, indicating the Traversa as the destination instrument.
Also the E minor sonata HWV 375 authenticity is uncertain, but for sure three movements were certainly composed by Händel and they were originally used for other works. The first two movements are the E minor transposition of the oboe sonata in C minor HWV 366, composed around 1712. The fourth movement is very similar to the Minuet in G minor for harpsichord (HWV 434), published in 1733. Therefore this Halle Sonata No. 2, could be one of the last works of his life as happened to the sonata HWV 379.
In any case, the Chrysander edition includes also this E minor Sonata in the collection of Sonatas for solo instrument.
The Halle Sonata No. 3 in B minor HWV 376 has an uncertain authenticity as the sonatas HWV 374 and HWV 375. The first movement is a sinuous Adagio that reflects the melancholic and nostalgic feelings that the key of B minor suggests. The two Allegro movements alternates the modulation from the minor to the relative major key, generating ornaments and embroidery. The central Largo seems like a short peaceful and joyful oasis.
Again, the Chrysander edition indicates that the work is intended for the Traversa and listed it as Sonata XVIII. It is possible that these Halle Sonatas were youth compositions and later rediscovered by the publisher and destined for the transverse flute to insure sales, due to the popularity of the instrument at the time.
