As always with anything that Dyens touches, it has a multitude of detailed markings, along with a two-page glossary of notation signs found within the piece. This is the Albeniz Tango, here moved in to A major, that everyone will no doubt know.
Dyens manages to get just about all the notes and their salient harmonies in but the end result, whilst very true to the original, is extremely difficult, for he has gone out of his way to make sure the accompaniment flows along with the melody without appearing disjointed or awkward, and this is achieved at the cost of difficulty.
Of course Dyens is a master of his craft; what he does is impeccable and faultless and this is really only for the very talented players amongst the readership.
Chris Dumigan (Classical Guitar Magazine)
