• Score

Format

The Paper format provides a high-quality printed score, perfect for building your physical music library and practicing away from screens.

The eScore is a high-quality digital sheet music file, available for download as a PDF across our entire catalog.

The eScore Extra lets you print the copies needed for your students or for the members of your ensemble, while strictly prohibiting digital sharing.

The Combo offers you the printed score and digital score at a discounted price, combining a physical library with instant access on your devices.

The Combo eScore Extra + Paper provides the printed score along with a digital version that allows you to print the copies you need for your students or ensemble.

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Description

“Prolific guitar composer finally writes a sonata”
Nick Fletcher is a UK-born player/com­poser who has written many fine pieces for the guitar published through d’Oz, and here he tries his hand at his first full-blown sonata. It’s in three movements - the first and third are fast and furious, the second is a very smooth, jazz-like, free-rhythmed piece that sounds almost like it could have come from the 1930s. The first movement, “Allegro,” has a ground bass A over which a long-breathed, rhythmed melody of a 16th note and two 32nd notes takes hold. The time signa­tures change from a steady 4/4 to 2/4, 3/4, and 5/4 at times, as the melody ploughs through relentlessly. A brief, more melodic second theme intervenes before a presto materializes, consisting of an arpeggiated four 32nd-note idea that is harder to exe­cute than it looks. After the repeat, a development section plays with the previ­ous themes, before yielding to a complete repeat of the recapitulation section and a small coda. The slow movement is wonderfully warm and clearly jazz-influenced, with melt­ing harmonies and sudden changes of key. The final “Presto con Fuoco” is a mix of 6/8 and 3/4, mostly in two voices, leading to a middle section that quotes directly from the first movement before returning to the opening idea and a swift and forceful coda. This is a pleasant and rewarding piece that definitely deserves to be heard. How­ever, it is advanced in its techniques and really only for the experienced player.
-Chris Dumigan (Classical Guitar Magazine)