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Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

"A good starting point for this piece is to hunt out the performance by Jesse Freedman on YouTube. At only two minutes long this compelling and forward-thrusting little piece is very forceful and requires a very secure technique to be performed successfully, and indeed is several notches more difficult than most of his other pieces I have seen. It starts with a six-string chord that had me momentarily scratching my head until I realised how it was to be played. So if you cannot put a bar on Fret 5, but then put your other fingers on Frets 7, and 9 and even 11, then don't look any further; this is not for you! Thankfully, these two opening chords do not recur, so you only have to stretch once. Again, as in other works, the hammer-ons and pull-offs feature throughout and are becoming one of his most recognisable features. There is no let up throughout and one finds oneself hurtling around the fingerboard, in a seemingly random fashion, which is definitely not the case, as this piece is very highly organised. For the player with the right technique, this would prove to be a very flashy item in the middle of a concert but the gifted amateur player will also find plenty to enjoy, and therefore I can definitely recommend it as something very unusual that is completely out of the ordinary."

Chris Dumigan (Classical Guitar Magazine)

 

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