• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

As is becoming customary, Mr Dyens is liberal and humorous with his detailed performance markings, including the need for a latex glove (don't ask!). Let's begin with the most important remark of all - this isn't a straightforward piece; it is most definitely considerably above Grade 8 in standard. The rhythmic complexity is such that a single bar of 4/4 fills the entire width of the page on more than one occasion. Taking the metronome mark into account we can see that we're playing extended runs at the rate of seven notes-a-second, and frequently with complex rhythms. That having been said, the score is beautifully clear and easy to understand and all the performance indications are well-explained inside. Opening with a rhythmically tight, crisp fanfare-like and assertive phrase, the music is a tantalizing mix of volumes and tone contrasts. This might be the first time that classical guitarists play slap bass, and the bass guitar part is every bit as challenging as the others, of which three are tuned down to D. That bottom D figures in a tremolo-like passage using duplicate notes so that the notes are played p, i, m rather than a, m, i and the notes are low, rather than high. Extended passages in harmonics, with brushing of strings and pizzicato present a light, airy feel, and the flesh of the thumb is used to broaden the tonal palette still further. As the piece builds towards its finale there is a line of strumming, but still the dynamic veers between ff and pp, over and over. This piece will live or die according to the precision and synchronization of the players, but when executed tightly and confidently, this is a delightful Single-movement piece with plenty of contrasts and development. The typography is a testament to the professionalism of the publisher.

Derek Hasted (Classical Guitar Magazine)