• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

"[...] Carmen is in fact the habanera. The tune is shared between guitars one and two but give me that tango bass-line any day - it's so cheeky; first and second position for all and a crowd-pleaser. Bach's Menuet is the familiar 'Anna Magdelana' minuet in G; the repeats have been decorated or doctored (according to your preference) with a few extra notes. There is a descant above the tune, near to the end, where Guitar One goes up to IX position, but each part in turn has a crack at the melody and the bass and (compared to the original) a new inner part. Nice enough, but I prefer it as a duet. Recuerdos de la Alhambra is an ambitious target. No, the trio doesn't play one note of the tremolo in turn. The tremolo is relegated to a quarter speed p-i-m-i-m-i arpeggio playing most of the expected thumb notes in the original. It's topped with a sustained melody and countermelody, usually a third apart. It's remarkably faithful, but without that Signature tremolo I'm not sure that many in a school concert audience would even recognise it. Tanz de Neusidler, by comparison is fast (four-notes-a-second) but really effective, with changes in dynamic and timbre making it a real piece of 'music' and fun too. The Barber of Seville is as rumbustious as you'd expect but some of us just see Bugs Bunny. But like a cartoon chase, there's plenty of changing direction and everyone has their moment in the spotlight. Schumann's March of the Soldiers is a great study in articulation and precise time keeping and it's nicely under the fingers so that the performance aspects can be studied and enhanced easily. Gounod's Funeral March of a Marionette - famously now associated with Alfred Hitchcock - is a great piece for changing dynamics rapidly and concisely. [...]"

Derek Hasted (Classical Guitar Magazine)