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Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

"[...] Although set as a single movement, there is a single definite change of pace, from a tranquil 41 bars to a more brash and rhythmical section nearer a hundred bars in length. The opening starts with some slow, rhythmical chords. The rhythm is easy, but the chords mix open strings with up-the-neck shapes, and they are easier to play than they are to Sight-read. There are some natural harmonics which are well-fingered and three of the forces are rhythmically in step here to produce chords made out of some glorious bell-like sounds. From here, the three melodic lines start to branch out on ordinary notes with differing rhythms and pitches, underpinned by a slow bass line that mixes straight rhythms with 3:3:2 patterns and tango-like descending passages. There are some confident dissonances here, with chords of B7 set to coincide with chords of E minor, so there is a D# E and F# at the top. [...] The "Vivace" section is very different. Again, it is Guitar Two that does the chordal support (now in the form of rhythmic arpeggios instead of block chords), and Guitar 5 that has an almost 'walking bass' part. Guitars One, Three and Four are sometimes in unison pairs, sometimes in three separate parts, with Guitar Four getting a few more harmonics for his troubles. Almost without exception, Guitar Two plods away with the same rhythm, but it's rather fun to play, mainly first position but with a spattering of flats and some unfamiliar shapes. It's a very effective piece if you don't mind the odd note-clash and would suit a mixed ability ensemble, as Guitar Five is probably Grade 2-3, Guitar Two is probably Grade 4 (though there are some barre chords - the barre could be removed at the expense of some sustain), and the remainder Grades 5-7, though in a large ensemble, keeping it all tight is going to need a bit of spare concentration."

Derek Hasted (Classical Guitar Magazine)

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