• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

Besoin d'une licence d'enregistrement Cliquez ici

Description

This arrangement of the D major lute concerto by Vivaldi has much to recommend it. It comes in the form of score plus two individual parts and there is only one awkward page turn between the two main sections of the first movement. Inevitably, guitar I has all the interest of the solo part and guitar 2 the arrangement of the string accompaniment and continuo realisation. The latter part is simple and fits well under the fingers. The first and third movements work very well indeed. It is only in the beautiful Largo that you really miss the sustained sound of the original string accompaniment underlying the solo line. In this movement the repeats are written out with what I presume is Gagnon's ornamentation and elaboration of the melodic line added the second time round. This is tasteful and varied, with only one or two moments when perhaps one might have left a phrase alone.
Both parts and score are mercifully free of all but the barest of fingerings and have very little in the way of articulation markings. I rather like that. as it leaves the player a clean slate to find their own style of playing the music and to solve their own technical difficulties.

Given that the music is relatively simple, there should not be too many difficulties too solve and this arrangement would make a useful and delightful addition to any duo's programme.
(Abigail James, Classical Guitar, 10/2000)