• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

Prelude no. 1 - All in White
Prelude no. 2 - The Silver Prelude
Prelude no. 3 - The Hawk
Prelude no. 4 - The Blue One
Prelude no. 5 - Bagatelle

"Pavlovits has written a great many pieces, a couple of which have come my way over the years. His musical style is kaleidoscopic and ranges from the almost folk-like to the overtly atonal and everything in between. The latest volume has five items; beginning with All In White, which I presumed meant that it was going to be in C major, with little or no accidentals but I was wrong [...]. The opening theme is a maestoso chordal idea with a melody running through its inner parts. A slight pause over an unexpected set of chords leads to a new idea with a bass melody underneath some gently clashing chords. A brief return to the opening leads back to the second idea one more time before a brief 'piu mosso' leads to yet another new idea at the opening speed. Eventually the opening theme returns and a 'mesto' lead to a brief coda. [...]. No. 2 The Silver Prelude is more straightforward and relies on a constant 'laissez vibrer' for a lot of its effect. [...] No. 3 is a fast and relentless piece called The Hawk; No. 4 is called The Blue One and goes through numerous tempi and varied ideas, whilst the final No. 5, called Bagatelle, is scherzo-like and perhaps the most immediate of the bunch. [...]"
Chris Dumigan (Classical Guitar Magazine)