• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

“A superb, jazz-inflected piece that’s fast-paced fun”
You can always rely on this composer’s music to be accessible, fun, and heavily based around jazz, Latin, or modern styles, and I am always surprised that so much of his work is still unknown, as he really is a class act. This latest duet is in one movement and has the oft-found direction for straight eighth notes to be played as if a triplet of eighth notes, where the first two are a quarter note. The clue is of course in the title, for what we have here is a bouncy, syncopated, jazz-inflected piece of some difficulty, which gets the toes tapping and the fingers flying around the guitar like they’re possessed. At a speed of 136 to 150 quarter notes a minute, and with most of the music in eighth notes or eighth-note triplets, you can tell that this is quite a handful. The two guitars take turns to play the themes, so no one gets the easy part! At 88 bars, it is only a few minutes in length, but it is a lot of fun and will take two decent guitarists who can swing to give it the finish it deserves. Less experienced players will get a lot of good practice trying to get their fingers working on this superb piece of writing.
- Chris Dumigan (Classical Guitar Magazine)