• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

The musical style(s) of Ms Kruisbrink's compositions can often seem chameleonic; sometimes very conservative in harmony; sometimes the polar opposite and everything in between. Her latest work «A Word of Consolation« might lead you to expect a warm nostalgic little work but as one often finds with her pieces the most obvious idea is not what she goes for.
A Lento rubato begins on a rising idea based around a D minor chord. Then a sudden change into a ritmico drone around the notes A and D leads you into a rhythmic and syncopated melody above, which gradually turns sour until one is hitting notes of C, C#, E and D# above the aforementioned A and D, just to quote one example. After a climactic moment wherein crunchily harmonised chords rock back and forth interwoven with variations on the opening rising D minor idea, one is hurled into a semiquaver variant of the A/D drone idea now translated into a passage marked insistendo. A brief respite of the oddly syncopated fourths idea, now in G/C leads again to the crunchy chords making a return now in ever-changing meters and in a more extended fashion. This in turn makes way for the insistendo passage to return, slightly varied before the syncopated A/D section dies away to strummed misterioso chords. This leads once more to even more upbeat version of the insistendo idea, interrupted one final time by a brief calmer section before running relentlessly this time into a variant of the opening that in turn becomes the coda which closes on the D minor run.
It was interesting throughout with a set of musical ideas you could follow, and was only moderately difficult to play. Lovers of Annette Kruisbrink's many compositions might like to give this eight minute piece a try.

Chris Dumigan (Classical Guitar Magazine)