• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

This is a very well presented volume with clearly set out notation. Each piece is around a page in length a distinct rhythmical character which generally remains consistent throughout each piece. While the technical demands appear to be aimed at the early intermediate player the musical ideas are quite challenging with quirky melodies and unexpected harmonies. The fingerboard is used extensively and the profusion of accidentals demands careful reading, with the absence of fingering adding to the challenge. Position shifts are clearly indicated, however.
Nova has an attractive lilt in 3/8 requiring p,i,m figurations, shifting to fifth position: Rime, in D major, has a stately feel with scalic figures. Brin is a gigue-like undulating melody in 6/8 with a narrow tonal range exploring the upper strings in seventh position, fun to play, a folky modal theme. Also in 6/8, Palette's unexpected harmonic structure gives a humorous touch.
Textures become increasingly more complex in the later pieces with bass lines and two and three part chords. Sari, two pages in length, employs semiquaver movement and the final offering. Carat, shifts frequently around the fingerboard with a characterful quaver and semiquaver rhythm and plenty of accidentals.
These pieces did grow on me as I played them and they are useful for the development of quick-thinking around the fingerboard. Playing level around grades two to six.
Linda Kelsall-Barnett (Classical Guitar Magazine