• Partition

Format

Le format Papier vous offre une partition imprimée de haute qualité, idéale pour enrichir votre bibliothèque musicale et pratiquer loin des écrans.

Le eScore est une partition numérique en format PDF de haute qualité, disponible au téléchargement pour l’ensemble du catalogue des Productions d’Oz et Doberman-Yppan.

Le eScore Extra vous permet d’imprimer les copies dont vous avez besoin pour vos élèves ou pour les membres de votre ensemble, tout en interdisant tout partage numérique.

Le Combo vous offre la partition papier et la partition numérique à prix réduit, pour concilier bibliothèque physique et accès instantané sur vos appareils.

Le Combo eScore Extra + Papier vous offre la partition imprimée ainsi qu’une version numérique vous permettant d’imprimer les copies nécessaires pour vos élèves ou votre ensemble.

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Description

Rainbow River is a modestly proportioned six-movement work, beginning with Autumn Prelude, an Andante 4/4 with gently moving quaver arpeggios against a friendly G major tune, nothing too difficult here, either technically or musically. Rush Hour Blues is a swinging 12/8 with plenty of bluesy ideas and offbeat rhythms to enhance an already attractive movement. Chrystal Moonlight (spelt thus!) is a lyrical A minor piece which consists almost entirely of quavers in its short 23 bars. Steps (No, nothing to do with the group, thankfully) is a light airy 120 crotchets-a-minute G major. Guitar two has offbeat quavers, while guitar one plays some across the bar sixths, with three and four gently accompanying. The fifth movement. Sweet Dreams is a Molto Cantabile 3/4. Its D major is warm and friendly and again everything is relatively simple and short. The final Diminishing Returns, marked Vivo, begins mostly in quavers before a brief climax turns into a lyrical Meno Mosso section and then a brief return to the first tempo and a four bar fortissimo coda. This is relatively friendly music, destined not to frighten too much with its harmonies. It would suit the quartet who were not too technically advanced and wanted to try something a little different from the norm while still remaining recognisably tonal.
(Chris Dumigan, Classical Guitar Magazine, July 2002)