• Score

Format

The Paper format provides a high-quality printed score, perfect for building your physical music library and practicing away from screens.

The eScore is a high-quality digital sheet music file, available for download as a PDF across our entire catalog.

The eScore Extra lets you print the copies needed for your students or for the members of your ensemble, while strictly prohibiting digital sharing.

The Combo offers you the printed score and digital score at a discounted price, combining a physical library with instant access on your devices.

The Combo eScore Extra + Paper provides the printed score along with a digital version that allows you to print the copies you need for your students or ensemble.

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Description

Prelude no. 1 - All in White
Prelude no. 2 - The Silver Prelude
Prelude no. 3 - The Hawk
Prelude no. 4 - The Blue One
Prelude no. 5 - Bagatelle

"Pavlovits has written a great many pieces, a couple of which have come my way over the years. His musical style is kaleidoscopic and ranges from the almost folk-like to the overtly atonal and everything in between. The latest volume has five items; beginning with All In White, which I presumed meant that it was going to be in C major, with little or no accidentals but I was wrong [...]. The opening theme is a maestoso chordal idea with a melody running through its inner parts. A slight pause over an unexpected set of chords leads to a new idea with a bass melody underneath some gently clashing chords. A brief return to the opening leads back to the second idea one more time before a brief 'piu mosso' leads to yet another new idea at the opening speed. Eventually the opening theme returns and a 'mesto' lead to a brief coda. [...]. No. 2 The Silver Prelude is more straightforward and relies on a constant 'laissez vibrer' for a lot of its effect. [...] No. 3 is a fast and relentless piece called The Hawk; No. 4 is called The Blue One and goes through numerous tempi and varied ideas, whilst the final No. 5, called Bagatelle, is scherzo-like and perhaps the most immediate of the bunch. [...]"
Chris Dumigan (Classical Guitar Magazine)