• Score

Format

The Paper format provides a high-quality printed score, perfect for building your physical music library and practicing away from screens.

The eScore is a high-quality digital sheet music file, available for download as a PDF across our entire catalog.

The eScore Extra lets you print the copies needed for your students or for the members of your ensemble, while strictly prohibiting digital sharing.

The Combo offers you the printed score and digital score at a discounted price, combining a physical library with instant access on your devices.

The Combo eScore Extra + Paper provides the printed score along with a digital version that allows you to print the copies you need for your students or ensemble.

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Description

selected by: Marc Bélanger, Jacques Chandonnet, Claude Gagnon, Paul-André Gagnon, François Leclerc, Sylvain Lemay, Denis Poliquin, Patrick Roux, Jean Vallières


Volume four of this series features music by Galileo, Milan, Logy, Bach, Sanz, Rameau, Giuliani, Sor, Tarrega, Coste, Carcassi and others and has moved up to Grade 5-6 standard....
....The inevitable Claude Gagnon is represented again, and once more comes up with the goods - two contemporary compositions, one lyrical and the other, titled Stress, an interesting study piece.
The first 'avant garde' work in this series appears in this volume. Triolet en mouvement by Denis Poliquin is a jerky, amusing study which requires very careful counting, but is worth the effort.
Once again there are some delightful pieces contained herein, ideal student material.
(Neil Smith, Classical Guitar)

These six volumes of progressive repertoire for classic guitar provide pieces that will please apprentice guitarists at both beginner and more advanced levels. The repertoire was chosen by a large number of Quebec teachers who have been working for many years at all levels of classic guitar instruction. Their precious help has brought quality, diversity and originality to this collection.
Each volume covers the principal periods of music history from the Renaissance to our own day. The best traditional repertoire is included as well as new arrangements and unpublished compositions.
Fingerings and other annotations should be considered as suggestions. The pieces have thus been left with the imprint of each collaborator, revealing their respective approaches to the music.