• Score

Format

The Paper format provides a high-quality printed score, perfect for building your physical music library and practicing away from screens.

The eScore is a high-quality digital sheet music file, available for download as a PDF across our entire catalog.

The eScore Extra lets you print the copies needed for your students or for the members of your ensemble, while strictly prohibiting digital sharing.

The Combo offers you the printed score and digital score at a discounted price, combining a physical library with instant access on your devices.

The Combo eScore Extra + Paper provides the printed score along with a digital version that allows you to print the copies you need for your students or ensemble.

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Description

Galliard n° 1
Galliard n° 2
Galliard n° 10
Galliard n° 3
Galliard n° 5
Galliard n° 4
Galliard n° 6
Galliard n° 7
Galliard n° 8
Galliard n° 9
Galliard n° 11
Galliard n° 12
Galliard n° 13
Galliard n° 14
Galliard n° 15
Galliard n° 16
Galliard n° 18
Galliard n° 19
Almain n° 1
Almain n° 2
Almain n° 3
Almain n° 4
Tinternell (variations)

Holborne, Anthony: Music for Lute and Bandora, Volume 1. Realization of tablatures by Oscar Cáceres and Marc Bataïni. 

Anthony Holborne was a courtier; specifically, he was the Gentleman Usher to Her Majesty’s Privy Chamber (“Her Majesty” being Queen Elizabeth I. The Privy Chamber is where her Privy Council [cabinet] met-nothing to do with the other kind of privy.) He was an amateur musician who composed quite a lot of music for the lute, the bandora, and the cittern. Some years ago, Harvard University published his complete works in two volumes (now out of print) introducing Holborne to many in the lute world. His works for lute tend toward the thick-textured and stately. Even his dances that would ordinarily be sprightly  -jigs and galliards-have a majestic feel. He played a lute with at least nine courses. 

To shoehorn this music onto a guitar, Cáceres and Bataïni have used extensive scordatura. Almost every piece has a string or two tuned differently. They have chosen the pieces that work best in transcription and have been quite inventive in making them work. The music is worth learning, but trying to sight- read it is an exercise in humility. Recommended for advanced players. 

Joseph Mayes, Soundboard Vol. 40 No. 2 - page 75